Art


24
May 10

This gives me such a headache, but I can’t not look at it

Via FFFFOUND.


14
Mar 10

Days Six through Nine

Been a little busy since I got back from Melbourne the week before last, so here’s an unfortunately brief round-up of my final days there.

Day Six
Most of today was spent wishing the night before had never happened. I wished this through the morning trek to the farmers’ market. I wished this through the purchasing of various vegetables, plants, pie and terrine that would later be consumed that night. Hangovers have a habit of doing that to a person.

Thankfully I managed to recover enough to see the Ron Mueck exhibition at the NGV. The lifelike if unnaturally proportioned sculptures were really quite wondrous if a bit samey after a while. Although there must have been close to a dozen pieces of varying scale, it didn’t take long for the novelty of naked figures and awkwardly realistic detailing to lose its lustre. I’m glad I went and really enjoyed what I saw but a bit more variety wouldn’t have gone astray.

There was a festival of sorts being held out the back of the NGV, but I don’t think either of us was really feeling it so we soon headed off to a digital media exhibition in the Arts Centre nearby. This is what really grabbed me. AES+F’s “Last Riot” was familiar from its stint at Wellington’s City Gallery back in 2008, but other works like “Xanadu” and the silhouette lightbox were both mesmerising and engaging. The stand-out piece though was the disco room next door. In an enclosed box was a large black box hooked up to motion sensors. The basic set-up was that the more you danced the more that the box did like turn up the volume, pop out lights and other effects. It was both ridiculous and hilarious and it was a great way to end the artistic leg of the day.

What followed was dinner with “family” back at the flat. Ended up making roast beetroot salad with pumpkin seeds and goat feta, potato and sweet potato cakes, asparagus in a lemon butter sauce, baby carrots in a hazenut butter sauce, mixed quinoa with aubergine and tomato, sweetcorn cobs fried in cumin, finished off with grilled figs with goats milk chevre. We also had bok choy with soy sauce and sesame seeds ready to go but the typically Maori concern for never having enough food kinda conquered our appetites. Was a really enjoyable night and really felt in my element in the kitchen. In hindsight, I probably should have let my hosts do more of the cooking.

Day Seven
I don’t recall doing a hell of a lot this day. Mainly lounged around the flat until we headed off into the city for drinks at Madame Brussels with the lovely Claire. We did stop by this asian import place near JB Hi-Fi on Collins St, full of what didn’t appear to be entirely kosher DVDs. Went to JB and bought a few things like The September Issue and Valentino: The Last Emperor. Since we got one of our own here in Wellington, the urge to spend a lot of money at the JB’s in Melbourne has waned somewhat.

It was then that we moved onto jugs of fruity alcohol at Madame Brussels. Claire looked amazing, but then she always does (even when she’s just woken up – I don’t know how she does it), and times were good.

I think I may have had pizza when Alyssa and I finally made it back to the flat.

Day Eight
This was a weird day. Not a lot happened, really. Although I’d managed to double book myself that night I didn’t exactly make it to either. What I did do was finish watching fifth and final season of The Wire. I’d seen it before on TV, but it was good to watch it in one fell swoop. Again.

I don’t know that I was drinking that night. I may have been but I can’t rightly recall.

Day Nine
I hadn’t had much sleep the night before so was more than little ungrateful when the lanky one dragged me off the couch for huevos rancheros at Feedback (always what a man needs in the morning) before he headed off to work for the day. This was the first of a number of reluctant goodbyes that would mark the day.

The next thing I knew I was moving purposefully through customs at Wellington airport so I could inhale deeply the toxins that my body so achingly craved.

—–

I had a great time in Melbourne, but then I always do. Although the city has a lot to offer, to entertain and to enjoy what keeps me coming back again and again are the people I meet and the friends I make. I’m less interested in doing things than enjoying the good company of good people.

What I’m starting to notice though is that the number of good people I know in Melbourne is such that I now struggle to spend time with all of them while I’m in the neighbourhood. There is a fairly drastic solution and one that I know would make a few particularly happy to see happen, but one I’m loathe to commit to unless a job opens up that I’d actually be keen on over there.

Not sure when I’ll next be over there. Was hoping to be there for Massive Attack next weekend (20/21 March), but flights are prohibitively expensive and my Sydney belle has pushed her Melbourne trip back into April. April and May is looking kinda shaky with things becoming ridiculously frantic at work. Looks like it might not be until June or July that I return and I know a few people I’d like to take with me.


25
Feb 10

… because I can

I don’t know where I found this or how I came upon it, but I still quite like it even if I’m not entirely sure why.


14
Dec 09

Something different : Anton Repponen

To break the monotony of music video after music video, I thought I’d offer something a little different.

Tonight we have the Death series by designer Anton Repponen. I’ve previously blogged about his “Death In Moscow” piece and it took me a little while to find the others in the series, namely…

deathCharacters_hongkong_680 deathCharacters_mexico_1_680 deathCharacters_moscow_1_680 deathCharacters_paris_1_680 deathCharacters_tokyo_1_680 deathCharacters_venice_1_680

I’m quite partial to Hong Kong’s panda, myself.

The blurb on his website says these are the disguises Death uses to blend into the world. Can’t wait to see what further designs in the series he produces. Maybe a Death In Canada wearing something that isn’t a mountie uniform, or Death In New Zealand that isn’t bearing traditional Maori motifs? What do you think?

I also enjoy his Where To Put Food plates.

As well as his official portfolio, Anton also has an annoyingly Cyrillic livejournal that highlights among other things his excellent taste in music.


12
Oct 09

Pomegranate x gummi behren

granat

Vladimir Tsesler, Granat

The motherfucker has somehow merged my two favourite foods into something… MAGICAL!!!


12
Oct 09

I want this more than I’ve ever wanted something

coca

Vladimir Tsesler, Coca

I mean, just look at it. So dark. So alluring. So delicious. I know it is in a jar, but I am seriously salivating like a motherfucker in heat just looking at this.


3
Oct 09

“guess who just bought a limited edition print at the STOW exhibition… “

tumblr_kqvrj4jfM21qzqv3ho1_1280

… e moi!

So phallic! So anthropomorphic! So MINE!!!

(Photo taken by Piers after we’d had a few beers)


15
Sep 09

Mental as anything

Picture 1

Ok, so the NGV in Melbourne will leave its Salvador Dali exhibition open through the night for one night only. More specifically, the same night we’re going to Parklife.

Who else wants to come?

I don’t what state of mind we’ll be in when it comes time to swing by, but one thing is for sure: it will be mental.


23
Jul 09

Uprisings redux

kozyndanuprisings

I have this Kozyndan print on my wall. Well, leaning against my wall.

“Uprisings” has since been made into an art sculpture for San Diego Comic Con. With only 10 made and priced at US$480 each, I’m not sure I’ll have much luck getting one to go with the print.

What isn’t there to love about bunnies erupting from the ocean?


18
Mar 08

Exodus 20:17


Source: Debenhams

Exodus 20:17 says that I should not covet my neighbour’s house, my neighbour’s wife, my neighbour’s male or female slave, my neighbour’s ox, my neighbour’s donkey, or indeed anything that belongs to my neighbour*.

Now, if we take neighbour in its broadest possible sense to mean anyone that isn’t me, then forgive me for I have sinned and sinned again.

I had the pleasure not so long ago of attending the launch party for an exhibition that comprises among other exhibits the private collection of some good friends of mine. I’ve had the pleasure of viewing a number of the pieces in their own home so found the exhibition a welcome of the familiar (I hope they’ve forgetten how I kept mistakenly slip-sliding across one work they’d just got which comprised silver nonpareils and a blanket, despite polite requests not to) and not so familiar. Of the many and varied works in display there are perhaps two pieces for which I have a particular affection.

The first is Melbourne artist Rose Nolan’s SELFDOUBT, a towering work that occupies an entire wall in the gallery (as can be partially viewed here). I’ve seen smaller scale works of hers on the walls of the Barr’s home and the exhibition has some of Nolan’s smaller works on angled-surfaces, but there is something about the sheer scale of SELFDOUBT that at once overwhelms and entrancs me. I just can’t get enough of looking at it.

The second is Michael Parekowhai’s Cosmo McMurtry, a towering vision of self-inflated resin and fairy tales made real. I don’t know if it is the sheer absurdity of a semi-realistic artwork of this size, the novelty of it being inflatable, or that it looks so god-damned adorable but this work really brings out an enormous grin on my face. The NGV in Melbourne received a larger version of the work last year that stands 8m tall (and can be viewed here) but I think that the smaller one can almost fit in a standard living room means it is absurd but not ridiculous.

Ever since seeing them in the flesh as it were I’ve been plagued of thoughts of how to have a wall painted by Rose Nolan and an absurd inflatable animal by Michael Parekowhai of my own. Cost will always be an issue, but not an insurmountable one. Siting will be a bigger issue until I get my own place and a place I feel I could spend a great deal of time. My trickier concern however is one of going about inquiring of the artists about such possibilities without appearing the naive amateur or worse, the fawning collector.

I really do enjoy their work and would like to have some of it for myself, but until I sort my shit out I have no choice but to covet that which my ‘neighbours’ have in their private collection.

Reboot: The Jim Barr and Mary Barr Collection is on at the City Gallery until mid-June.

* I have embellished the original text for effect.